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Our Mission

Call of Duty Zombies works best when fans have some time to miss it, returning every few years alongside each Treyarch game. Having a Zombies mode for every Call of Duty game can not only put too much pressure on the developers, like with Vanguard, but it also leads to an over-saturation of Zombies content.
It first appeared in Call of Duty: World at War and became highly popular upon the game's release, resulting in the mode returning in Call of Duty: Black Ops, Call of Duty: Black Ops II, Call of Duty: Black Ops III, Call of Duty: Black Ops 4, Call of Duty: Black Ops Cold War, Call of Duty: Vanguard, and Call of Duty: ...
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    • About Our Company

    Sarah Schachner is an American composer and musician who has worked on the scores of films, television series and video 3️⃣ games.

    She was nominated for the Grammy Award for Best Score Soundtrack for Video Games and Other Interactive Media for her 3️⃣ work on Call of Duty: Modern Warfare II.

    Biography [ edit ]

    Schachner grew up in the suburbs of Philadelphia.[2] When she 3️⃣ was five, she first started playing piano and then started playing the violin.[3] She kept learning other instruments, such as 3️⃣ viola and cello, and played with both family and in an orchestra, as well as a jazz band.[3]

    Schachner went to 3️⃣ the Berklee College of Music and then moved to Los Angeles.[3] She began to work with composer Brian Tyler, who 3️⃣ worked in film and then started writing video game music.[3] Tyler first brought Schachner in to work on Call of 3️⃣ Duty: Modern Warfare 3.[3] Schachner said, "I started doing music on the games for him and I realized how much 3️⃣ I loved working on games."[3] Since then Schachner has worked on more Call of Duty games such as Infinite Warfare 3️⃣ and also worked with Ubisoft on the Far Cry and Assassin's Creed series.[4][5][6] Schachner began to incorporate synthesizers with her 3️⃣ work on string instruments.[7]

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